Gideon has become part of the sculpture!
Susan Hensel Art Blog
wherein you, too, get to follow the agony and the ecstasy of creating a new body of work!
Monday, January 30, 2012
Tuesday, January 10, 2012
Monday, January 9, 2012
petticoats,underskirts and anemones
While soaking up the Christmas season, I spun many more anemones. They are building up the reef under the sea dress. Petticoats and underskirts are appearing...unbleached muslin cheesecloth is experimentally draped in the openings. I think, when more energy returns, more lights will appear as well.


It is always slow going in "intuitive land", where language has little to add to the equations. It is all about materials and light and growth.
Labels:
art,
art yarn,
installation,
nostalgia,
Susan Hensel,
visual art. sculpture
Friday, January 6, 2012
Remnants and Asthma
I still have this fascination with suits as symbols of power. I have collected, at 40% off thrift store prices a variety of suit coats that I am now deconstructing. The linear elements of their interior secrets are anatomical, structural and gestural...like a good drawing. I am going to let this construction hang pinned together for a few days while I consider whether to make it more permanent. I am considering a series of "hangings", rather like art quilts...but tacked together and pinned with as much frayed edge showing as humanly possible.
Thursday, December 29, 2011
I've had "help" in the studio
Labels:
charcoal,
dog,
drawing,
installation
Wednesday, December 28, 2011
Sea dress continues
I am struggling with how long and what shape to make the panels of the dress. Do they simply need to be longer so they can wrap more fully and easily around the anemones? Do they need to be longer and shaped , turning them into trains like on a wedding dress?
Labels:
art,
art yarn,
handspun,
installation,
installation art,
sculpture
Tuesday, December 20, 2011
More thoughts


So I straightened the bodice and turned off the studio lights. The bodice w ill be stuffed somehow. But the question is, can this piece operate as the center piece for a show I am calling Burnt Memories? I would need to distress the materials to make them "match."
Labels:
handspinning,
handspun,
installation,
installation art,
Susan Hensel,
wool
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