Gideon blends in

Gideon has become part of the sculpture!

Sea dress continues

I am more or less diligently spinning more anemones...more or less. I am experimenting with lifting the skirt, revealing the interior.

I am struggling with how long and what shape to make the panels of the dress. Do they simply need to be longer so they can wrap more fully and easily around the anemones? Do they need to be longer and shaped , turning them into trains like on a wedding dress?

More thoughts

So I straightened the bodice and turned off the studio lights. The bodice w ill be stuffed somehow. But the question is, can this piece operate as the center piece for a show I am calling Burnt Memories? I would need to distress the materials to make them "match."

Sea-collar?

While I may be adjusting the blacks a bit, I think it is done. The addition of a lightweight handspun mohair took it where it needed to go. The sea creature aspect continues...these seem to be "jelly-fish of memory"? Who knows, it is still a mystery to me. I do think of the threads as memory, connections to the past, to shared histories...

Can Yarn Function as Sculpture?

This yarn, COMBAT CHAOS, begins to achieve what I set out to do. Combining specially chosen colors and fibers to express the emotional turmoil of the battlefield, little army guys are pinioned in beehives, cocoons of black wool, felted camouflage felt flags, mounds of netting and desert camo. Both sides of the conflict climb around and shoot in the confusion. Small flashes of light, tiny sequins, reflect the flash of the guns or the twinkle in a mute night sky.

Fleece installation

I have been playing with fiber today.

I like the relationships that are developing among the parts, although it is still too linear, simply curated objects rather than a full 3-d experience. I think the placenta dress needs to hang in space rather like the stuffed dress at the left.But with the wool market arriving in a couple of days, I will leave it as is for now.